Palabras a la segunda edición del evento La Huella Múltiple, La Habana, 1999.

Ibrahim Miranda (Cuba, 1969) is one of the key figures in the so-called renewal of Cuban printmaking that took place in the 1990s. From the early years of that decade, his practice challenged the traditional limits of the graphic medium through technical, conceptual, and spatial experimentation. The map series he began in 1992 stands as one of the most representative examples of this process of renewal.

During the run of Under the Spell of the Palm Tree: The Rice Collection of Cuban Art at the Harn Museum of Art, University of Florida (July 11, 2023–January 7, 2024), visitors and docents submitted a wide range of thoughtful questions. This initiative fostered dialogue and offered an opportunity to engage more deeply with Cuban art and its histories. The curatorial team reviewed these submissions and welcomed the opportunity to continue the conversation.